Resonances of Intention: The Art of Nicolas Nostra at the Intersection of Matter and Digital
Nicolas Nostra, a visual artist with a unique background, explores in depth the interaction between humans and matter through his works. A former underground DJ, he draws on his musical roots for a unique sensitivity that nourishes his artistic approach. Through his experiences as a dancer and his passion for advanced digital technologies, Nostra has shaped an identity where materiality and digital intertwine.
At the heart of his work, material plays an essential role. His works, representing the faces of the stone statues of Easter Island, reveal a fascinating materiality thanks to carefully orchestrated raised lines. These lines, which evoke the raw and timeless texture of stone, transcend the conventions of contemporary digital prints. They create a rich dialogue with light, generating captivating reflections that recall the very nature of sculpted stone. Each work thus becomes a tactile exploration, inviting the observer to feel the weight and density of the material while contemplating its aesthetics.
Stone, a symbol of durability and memory, is evoked through this sculptural materiality. The raised lines, representing the faces of the statues, are not simple graphic elements. They embody the collective memory, history and emotions anchored in these emblematic figures. By playing on variations in thickness and texture, Nostra manages to bring the stone to life, transforming each painting into a work where the material becomes an essential actor in the narrative.
Thus, the artist's work questions our perception of art, matter and the author. It invites us to reconsider the notions of creation and authenticity at a time when the boundaries between human and machine are diminishing. By integrating these reflections into his works, he reminds us that behind each creation, whether shaped by man or machine, there is an intention, an emotion and a story deeply rooted in the material, making it the true protagonist of his art.